John Roach
Study for a Landfill
Window display, mixed media, wood, paper clay (cardboard pulp, flour, glue and salt), ink, paint, steel dust, found objects, 2025
Over the years, the layers of landfill at Freshkills reached an imposing altitude of 225 feet, drastically reshaping the landscape of a 2200-acre wide portion of Staten Island. Capped and rewilded, the four artificial mounds created meet at the confluence of a network of waterways. During five decades of landfill operation, the composition of household trash evolved: from rusted metal and leather mixed with paper and ash in the 1950s, to plastic, glass, and small appliances in the 1970s and 1980s, to electronic components, non-recyclable packaging, plastic bags, and other non-compostable good in the late 1990s. Meant to evoke the magnitude of Fresh Kills landfill operation, this installation speaks to the man-made qualities of the park, celebrating the rewilding of a landscape that hides—in plain view—over half a century of New Yorker’s trash.
Design and Fabrication: John Roach, Mitch Kelly. With contributions by Julia Daser, Caroline Dionne, Isabelle Groenewegen, Litian Li, Pepi Ng, Andrew Shea, and Frances Shea.